In the 1920s, Russian animatorĀ W?adys?aw Starewicz, a.k.a. Lasislas Starevich, began experimenting with stop-motion animation techniques that would make the process look a little bit more natural. Traditionally for stop-motion, a doll, clay, or other plastic substance would be moved slightly, photographed, moved slightly again, and so on for 24 frames per second, creating the illusion of movement. The resulting animation takes a lot of painstaking work and a great deal of time, but it makes...

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