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There is nothing quite like the shades of red in a Michael Powell and Emeric Pressburger movie. The color absolutely radiates from the screen in their Technicolor masterpieces, fully immersing us in the passions of the characters. You have the rouge on Kim Hunter's heart-shaped lips in "A Matter of Life and Death," like a premonition of a love so pure and strong it can bring David Niven's dashing airman back from the afterlife. At the other end of the scale, you have the ominous red in the...