One of the first big fight scenes in Everything, Everywhere, All At Once involves Ke Huy Quan slinging a fanny pack around like a meteor hammer inside an IRS building, and things only get weirder and more specific from there on out. In fact, about midway through, you realize very clearly that fanny pack-based combat is actually one of the most grounded things the movie has to offer. It follows it up with hot dog fingers, sentient rocks, a protracted Ratatouille joke, and improvised sex toy...

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