Sebastián Lelio's films have often dealt with the experiences of women on the edge or at a major crossroads in their lives (see also: "Gloria," "Disobedience"). His characters are challenged by present difficulties and past traumas that appear directly in front of them all at once, and Lelio uses every tool possible to fill his movies with their subjective view of events. In his 2022 film "The Wonder," based on Emma Donoghue's book of the same name, that subjectivity becomes a core...

Continue Reading The Wonder Ending Explained: Florence Pugh And A Fasting Girl