In his second full-length feature, "Birth," director Jonathan Glazer employed a subdued, formalist visual language to convey its emotionally messy central themes. However, aesthetics and form are secondary to Glazer, as he seems to be more concerned with the emotional language of a film, which steers visual language, and not the other way around. This is also the case with Glazer's "Under the Skin" — an unconventional, trailblazing entry in the sci-fi genre — which roots the central...

Continue Reading Under The Skin's Opening Scene Was A Tribute To The Established 'Language' Of Sci-Fi